Information
蟠桃會 The Feastival of peaches
相傳農曆三月初三是瑤池金母(西王母)舉辦蟠桃盛宴的日子
眾神仙聚集於瑤池向娘娘祝賀同樂。
許多神話故事也常以蟠桃宴為題，
像是嫦娥因吃了丈夫從娘娘那求來的蟠桃而飛向月亮、
太上仙官東方朔化身仙鶴偷取蟠桃、孫悟空看管蟠桃園卻忍不住偷吃並大鬧天宮等。
據說王母娘娘蟠桃園的桃子分成三千、六千、九千年才成熟的果實，各有不同功效，強身健體。
據說王母娘娘蟠桃園的桃子分成三千、六千、九千年才成熟的果實，各有不同功效，強身健體。
不同顏色和材質的桃子作為畫面的開端，
蟠桃的形狀仍然以普通桃子的形狀為主，展現出豐滿和熱鬧的氛圍。
每個人對王母娘娘的形象都可能有不同的看法，但她的慈悲本質是相同的。
因此，不同形式的蟠桃代表著對王母娘娘的祝賀，儘管它們的外表有所不同，
但本質上都表達了同樣的祝福之情。
因此，不同形式的蟠桃代表著對王母娘娘的祝賀，儘管它們的外表有所不同，
但本質上都表達了同樣的祝福之情。
將「分享」與「上善若水」聯繫起來，"上善若水"中的水以其柔和流動的特質，
滋養萬物並促進生命的成長。
滋養萬物並促進生命的成長。
同樣地，"分享" 這一行為也是在滋養人心，讓善意、愛心和資源自由流動，幫助他人成長。
以水的姿態來體現分享的初衷。
It is said that the third day of the third lunar month marks the grand banquet of the Peaches of Immortality, hosted by the Queen Mother of the West (Yaochi Jinmu). On this day, celestial beings gather at the Jade Lake to celebrate and offer their blessings to the Queen Mother. Many mythological stories revolve around the Peach Banquet, such as Chang'e ascending to the moon after eating the peach her husband obtained from the Queen Mother, the immortal officer Dongfang Shuo transforming into a crane to steal the peaches, and Sun Wukong, who, while tasked with guarding the orchard, succumbed to temptation, devouring the peaches and causing havoc in the Heavenly Palace.
It is believed that the peaches in the Queen Mother's orchard ripen in cycles of
It is believed that the peaches in the Queen Mother's orchard ripen in cycles of
3,000, 6,000, and 9,000 years, each possessing unique benefits to strengthen and nourish the body. The imagery of these peaches, varying in color and texture, serves as the foundation of this composition. While their shapes remain akin to ordinary peaches, they symbolize abundance and festivity.
People may hold different perceptions of the Queen Mother's appearance, but her compassionate essence remains constant. Likewise, various forms of peaches serve as blessings for the Queen Mother—despite their differing outward appearances, they all convey the same heartfelt wishes.
People may hold different perceptions of the Queen Mother's appearance, but her compassionate essence remains constant. Likewise, various forms of peaches serve as blessings for the Queen Mother—despite their differing outward appearances, they all convey the same heartfelt wishes.
Galaxy 是一個以「勇敢做自己」為核心的時尚設計品牌，主張多元、自由、
自我風格的展現，將個體差異視為美感的起點，並透過極簡符號與穩定識別語言，建立專屬視覺印象。
本作為專案練習，非正式設計。
Galaxy is a fashion label rooted in the spirit of being boldly yourself.Built upon diversity, confidence,
and personal identity,the brand transforms individuality into visual consistency — clear, minimal, yet expressive.
本案為在地老字號「日盛眼鏡」的品牌翻新設計。面對原有視覺雜亂、缺乏統一識別
的狀況，業主期望在有限資源下提升整體專業形象，並吸引年輕客群，整體風格簡約、
明確，延續品牌的溫暖熟悉感，並以現代語言回應新世代審美，完成一次實用且具識
別力的品牌轉型。
The overall style is minimalist and clear, preserving the brand’s warm and familiar
atmosphere while responding to a younger generation’s aesthetic with a modern design
language.This project presents a practical and recognizable rebranding solution tailored to
real-world constraints.
將路霸們塑造為政治人物參與選舉，效仿選舉期間被放大審視的特點，用相同方式體現道路問題。
透過選舉展示其對安全與秩序造成的威脅，喚起社會公眾對道路正義的關注與改善。
在此項目負責的是文案，視覺設計部分。
The campaign reimagines “road bullies” as political candidates, reflecting how individuals are
scrutinized during elections.
By placing traffic offenders under the same spotlight, the project highlights the threat they
pose to safety and order, aiming to raise public awareness and promote road justice.
本作品為福氣塘 HOKI TEA 所設計的品牌菜單。
將「福氣」從抽象概念具象化，融入視覺、文字與結構，讓菜單不再只
是點餐工具，而是一件能被收藏的日常祝福品。
This project is a brand menu designed for HOKI TEA. By manifesting the abstract concept of "Hoki" (Blessing)
into tangible visuals, text, and structure, the menu transcends its role as a mere ordering tool to become a collectible piece of daily blessing.
此專案是 GALAXY 的服飾設計。
匾額，在傳統文化中，象徵著祝願與守護。
「牌匾系列」以服飾為載體，將傳統信仰、祭儀視覺、吉祥語彙，融合當代精神狀態重新演繹。
In traditional culture, the ceremonial plaque (Bianyue) is a symbol of blessing and guardianship.
The "Plaque Series" utilizes apparel as a vessel to re-interpret traditional beliefs, ritual aesthetics,
and auspicious vocabularies through a contemporary psychological lens.
以光為主題的概念展覽中，嘗試以視覺設計探索光在藝術中留下的痕跡與語言。透過將光軌轉化為創作元素，
捕捉它在移動與時間中的延展，展現光本身的存在性與穿透力。展覽聚焦於光線在黑暗背景中的流動軌跡、曲線變形與色彩錯位，
這些動態的痕跡不只是物理現象，更是情感與知覺的瞬間凝結，光，不再只是照亮物體的媒介，而成為自身的表演者。
通過流動的繪畫和靈動的光影，捕捉並表達光的動懲性和變化性，每個作品都呈現出光的痕跡的獨特魅力。
本作為專案練習，非正式設計。
In this conceptual exhibition centered on light, we explore the visual imprints and languages left by light within the realm of art. By transforming light trails into creative elements, the work captures their extension across movement and time, revealing the inherent existence and piercing power of light itself.
The exhibition focuses on the fluid trajectories, curvilinear distortions, and chromatic aberrations of light against dark backgrounds. These dynamic traces are more than mere physical phenomena; they are the frozen moments of emotion and perception. Here, light is no longer a medium that illuminates objects—it becomes the performer itself.
Through fluid painting and ethereal shadows, the work captures the dynamism and mutability of light, showcasing the unique allure in every trace it leaves behind.
此專案是 ATLANTIX 的概念專輯
ATLANTIX 是疫情期間原子少年節目中沒有經紀約的一群人自發組的團體。「烏托邦」在這裡象徵著團體如何存在的各種可能性。即使節目
結束，團員各自踏上不同道路，那份「亞特精神」仍持續存在，並以不同樣貌發生著。畫面中每個角色都代表他們的一首歌，這裡不是理想
國，而是「可能性之地」：沒有明確秩序、沒有統一結局，但正因如此，這裡包每一種不同的存在姿態。將這幅圖像視為一個載體，替他們保
存那種不被定義、不被命名卻真實發生過的狀態，那不是某一段時間的總結，而是他們仍然在場的證明。
本作為專案練習，非正式設計。
ATLANTIX is a collective formed spontaneously during the pandemic by a group of independent artists from the show Atom Boyz.
In this project, "Utopia" symbolizes the myriad possibilities of the group's existence. Though the show has ended and the members
have ventured onto separate paths, the "Atlantix Spirit" persists, manifesting in diverse and evolving forms.
Each character within the visual represents one of their songs. This is not a "Perfect Paradise," but rather a "Land of Possibilities."
There is no rigid order, no singular conclusion; instead, it embraces every distinct posture of existence.
This imagery serves as a vessel, preserving a state that is undefined and unnamed, yet undeniably real.
It is not a conclusion of a past era, but proof that they are still present.
《響》為東京佼成管樂團來台演出的主題音樂會，以「人生中不能錯過的一響」為主題，演奏多首經典動漫作品配樂，
透過音樂與觀眾產生強烈情感共鳴。
本案中我負責活動主視覺中的人物、場景與樂團成員以及動畫的視覺繪製。為呼應音樂會的曲目主題與觀眾族群，
插畫風格採用動漫語彙進行角色設計，營造熱血、戲劇感與沉浸氛圍，並搭配舞台構圖強化整體視覺張力。
本設計為插畫協作項目，主視覺構成與文字編排由主導設計師負責， 我負責的部分為插圖創作。
Illustration for “HIBIKI,” a concert by Tokyo Kosei Wind Orchestra featuring anime music.
I created the conductor, orchestra, and stage scene in an anime-inspired style.
Visual layout by lead designer.
以法國浪漫主義畫家歐仁・德拉克洛瓦（Eugène Delacroix）為主題進行書籍設計，
從歷史記載、畫作分享出發。
從其代表作品《自由引導人民》中擷取紅色作為主色，象徵其革命精神與藝術風格。
Galaxy Design is a Taiwanese fashion brand that takes “Be brave to be yourself”
as its core belief, embodying a spirit of “low-key confidence in personal style.”
It is more than just a clothing label — it uses design as a language to express a value: to believe in your uniqueness
and to showcase your individuality with taste.